Livestreaming Book Launch: Different Models, One Goal: Doing Theatre, Democracy and Social Justice

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The Centre for Socially Engaged Theatre (C-SET) in collaboration with Theatre Emissary International and the University of Jos, Nigeria presents the online book...

THE BOX, reviewed – Gia On The Move

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Reviewed by Tracey Paleo, Gia On The Move On the night that Stephen plans to propose to his girlfriend Alice, her father Cal shows...

NEW STUDY REVEALS STATES THAT HAVE PRODUCED BEST ACTORS – Gia On The Move

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A new study by HotDog.com recently took a look at which U.S. states and territories have born the most award-winning actors. With the...

Why Comedy? Why Now?: On the 2022 Latinx Theatre Commons Comedy Carnaval

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I wanted to start this essay with a joke. I had a whole bit about a hippo, a psychedelic mushroom, and a stand-up...

Histories of the Avant-garde and Contemporary Disruptive Technologies

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Panelists consider the critical impact of current digitization processes on contemporary culture and political life in relationship to the avant-garde. Is digital art...

HARPER LEE’S TO KILL A MOCKINGBIRD at Hollywood Pantages – Gia On The Move

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Reviewed and Recorded by Tracey Paleo, Gia On The Move Copyright © 2022 Gia On The Move All rights reserved. This content has been written...

Suzan-Lori Parks’ Watch Me Work

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The Public Theater in New York City presents Suzan-Lori Parks' Watch Me Work—a playwriting masterclass—livestreaming on the global, commons-based, peer-produced HowlRound TV network...

Examining White Gay Responsibility in Our Theatres

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Vogel and Nottage illuminate a vital point: regardless of their shared position as individuals holding a marginalized identity, the gay male critic still...

Unleashing The Future of Women in Entertainment – Gia On The Move

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Enter your 30 minute short or documentary film for prizes! Saturday July 22, 2023 | 11am-5pm | 7500 Alabama Ave Canoga Park CA, 91303 LOS ANGELES, CA...

We Are All Kin to the Cove Brings Climate-Engaged Community Performance to Queens, New...

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After gathering the generated material, the ensemble pieced together a thirty-five-minute performance, guiding the audience through monologues, dances, and a history of the...

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